Jazz Writing and the Beat Generation: The Intersection of Music and Literature

dc.contributor.advisorMills, Bruce, 1958-
dc.contributor.advisorMills, Bruce, 1958-
dc.contributor.authorGilchrist, Thomas
dc.description69 p.en_US
dc.description.abstractThe writing of American Beat Generation writers of the 1940s, 50s, and 60s such as Jack Kerouac were heavily influenced by the rhythms, character, and phrasings of bebop jazz of musicians such as Charlie Parker and Dizzy Gillespie. This SIP explores the deep connection between the emergence of Beat jazz-influenced writing, and the music itself.en_US
dc.description.abstractIf you are not a current K College student, faculty, or staff member, email dspace@kzoo.edu to request access to this SIP.
dc.description.tableofcontentsThe Bubbling Underground: Beat Writing and Jazz Against Post-War Homogeneity -- Jazz Writing and Culture: A Musical Analysis of Kerouac’s “Essentials of Spontaneous Prose” -- The Jazz Novel: The Intersection of Language and Music in John Clellon Holmes’s The Horn
dc.relation.ispartofKalamazoo College English Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. English.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder.
dc.titleJazz Writing and the Beat Generation: The Intersection of Music and Literatureen_US