Merely Coensidence?: Relating Auteur Theory to the Films of Joel and Ethan Coen
Loading...
Authors
Butts, Spencer C.
Issue Date
2002
Type
Thesis
Language
en_US
Keywords
Alternative Title
Abstract
In order to elucidate auteur theory and demonstrate its worthiness as a film theory
through more practical means, the producer/director duo of Joel and Ethan Coen will be
investigated thoroughly to determine whether or not they deserve consideration as
auteurs. The criteria used to determine their worthiness will be based upon the
previously defined characteristics of auteurs (like those advanced by Andrew Sarris and
other critics and theorists). Along these lines, the mise-en-scene, color, sound and
lighting used in each movie and the overall feel it lends to the work will be investigated.
In addition, a close look at the camera use proves necessary in order to get a glimpse at
the manner in which the Coens conceptualize their films and the specific look they
choose to give them. More specifically, factors such as their genre-bending dark comedic
style, which puts a new spin on older movie formulas, and their feelings about
film making in general should get at the more important factors of auteurship. Perhaps
most important is discerning whether or not the Coens present these factors consistently
throughout their oeuvre, and whether or not a congruent and reoccurring style worthy of
praise presents itself.
Description
ii, 33 p.
Citation
Publisher
License
U.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.