An Actors Workshop

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dc.contributor.advisorBerthel, Karen, 1962-
dc.contributor.authorCampbell, Kelly
dc.date.accessioned2012-12-04T16:44:50Z
dc.date.available2012-12-04T16:44:50Z
dc.date.issued2009
dc.description109 p.en_US
dc.description.abstractIn order to gain a holistic approach to the work between Michael and I, and to the script/production that would be receiving the changes and evolution, I tried to develop a four-pronged focus. Divided amongst Physical 1 Partner work, Script Break Down, Improvisation Scene Work, and Directors Field Work I aimed to develop fully the possibilities that Michael Chodos and I could provide to our work in the theater. The following are titles and words that I had originally ascribed during the post-wokshopping process. They were allowed to evolve and be manipulated, but it is a fair representation of our ten weeks of workshoping.en_US
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10920/28000
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College Theatre Arts Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. Theatre Arts.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.subjectTheater -- Performance
dc.subject.lcshActing.
dc.titleAn Actors Workshopen_US
dc.typeThesisen_US
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