dc.contributor.advisor | Klek, Konrad | |
dc.contributor.advisor | Quinn, Damian | |
dc.contributor.author | Polcyn, Lynnette | |
dc.date.accessioned | 2008-11-23 | |
dc.date.available | 2008-11-23 | |
dc.date.issued | 2001-02 | |
dc.identifier.uri | http://hdl.handle.net/10920/6464 | |
dc.description | 23 p. | en |
dc.description.abstract | Ijoined the "Academic Choir" at the Friederich-Alexander University, ErlangenNurnberg
because I enjoy choir and have had many years ofprevious choir experience. Because ofmy previous musical knowledge I was able to participate in this choir and follow along, even thoughthelanguage ofthechoirwasGerman. Iattendedweeklyrehearsalsforaperiod ofthree months and participated in two concerts. In a memorial concert for "Totensonntag" (literally "Dead Sunday," comparable with our "Memorial Day" holiday) we sang a collection of holy choir music from the German composer Josef Rheinberger, with excerpts both in German and in Latin. The second concert was an Advent/Christmas concert, where we sang Benjamin Britten's A Ceremony of Carols in English. I was asked to have a solo in that concert. I continued attending rehearsals after Christmas while we sang through Mendelssohn's Lobgesang ("song of praise"), but unfortunately I was not able to attend the performance ofthis piece. For additional research on the topic of music in Germany I utilized websites which gave me more information on the composer Josef Rheinberger and the meanings of German music-theory expressions. | en |
dc.language.iso | de | en |
dc.relation.ispartofseries | ICRP - Erlangen (Germany) | en |
dc.rights | U.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. | |
dc.subject.lcsh | Erlangen (Germany) | |
dc.title | Art in Germany, or My Experience with Choir and Theater | en |
dc.type | Other | en |