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      Musical Direction : The Threepenny Opera 

      Swaim, Tracy (1984)
      The author describes his experience as Musical Director for a college production of Bertolt Brecht and Kurt Weill's Threepenny Opera and details the decisions made regarding instrumentation, as well as cuts and changes ...
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      Rock and Roll, Detroit Style 

      White, Norbert (1988-03-20)
      The author interviewed six emerging rock bands in the Detroit area and describes their musical influences, song selection and songwriting, as well as the challenges of the business in a competitive market.
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      An Introduction to the Oboe : The Process of Reed-Making 

      Stafford, Ann Marie (1987)
      Reviews the history of the oboe and discusses the process of cutting and preparing reeds for the instrument.
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      The Development of Pant Roles in Opera 

      Whitaker, Monica Anne Ray (1980)
      The development of the 'pant,' breeches,' or 'trouser' roles in opera reflects the changing attitudes of European society toward the castration of adolescent males. This paper surveys both prominent castrati and female ...
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      Nixon is a Maniac ; In the Stairwell ; Military Man 

      Saylor, John Mertens (1984)
      Three compositions that experiment with unusual scales, time signatures, and harmonic progressions. "Nixon is a Maniac" reflects feelings of resentment toward several college administrators. "Military Man" was conceived ...
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      A Guitar Recital 

      Allen, John E. (1984)
      Discusses the historical background of music presented in recital, including compositions by Sor, Cimarosa, Bach, Ponce, Villa-Lobos, and Carlevaro.
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      Adventures in MIDI-Land 

      Gattis, David L. (1988)
      An original composition for the MIDI synthesizer.
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      Compositions for Piano 

      Severinac, Robert N. (1985)
      Four original compositions for piano.
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      SIP 1980 

      Marquis, Rollin (1980)
      An original song cycle inspired by the process of creating the Senior Individualized Project at Kalamazoo College.
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      Approaching Authenticity in J. S. Bach's French Suites 

      Przybylski, Marie (1988)
      Discusses the social context and technical elements necessary to approach the authenticity of a Baroque era performance.
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    AuthorAllen, John E. (1)Allen, Katrina M. (1)Arsenovich, Melanie (1)Buchanan, Laurin M. (1)Cooper, Russell (1)Gattis, David L. (1)Hasselwander, Thomas (1)Horowitz, David Morris (1)Kester, Valerie (1)Klobucher, Cindy (1)... View MoreSubjectMusic. (1)Theater -- Directing (1)Theater -- Miscellaneous (1)Theater--Production and direction. (1)... View MoreDate Issued1988 (5)1987 (2)1986 (1)1985 (2)1984 (3)1983 (2)1982 (3)1981 (1)1980 (4)Has File(s)Yes (23)

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