Browsing Music Senior Integrated Projects by Issue Date

Flexural Horns

Cruikshank, Donald B. Jr. (1963)

This paper is divided into three main sections. The first is a theoretical approach to flexural waves in the defined horns. Although the major emphasis has been placed on the normal flexural modes of a specific flexural ...

Family: for Soprano and String Orchestra

Krueger, Richard R. (1964)

The Development of an Instrumental Style of Musical Composition during the Renaissance

Andrews, David W. (Kalamazoo College., 1964-01-01)

The paper discusses the origin and development of four basic methods of instrumental music composition during the Renaissance: vocal transcription, dance music, improvisation, and theme with variation.

Research Into the Organ Literature of Four Contemporary German Composers

Rance, Patricia (1966-05-09)

Analyzes the work of four German composers, Joseph Ahrens, Kurt Hessenberg, Ernst Pepping, and Hermann Schroeder who survived the World War II to continue the traditions of German sacred music.

Concerto for Ten Wind Instruments

Lewis, Merwin Donald (1967)

The Clarinet Works of Johannes Brahms

Coon, Judith Arlene (1967)

Johannes Brahms (1833-1897) wrote four works especially for the clarinet and became the first master musician since Carl Maria von Weber to really concentrate his energies on the instrument. Like Weber and Mozart before ...

Bach Organ Works

Gustafson, Bruce Lester (1967)

Discusses the style, history, and interpretation of the Bach organ works performed by the author. Includes a program for the recital at Stetson Chapel performed by the author on Sunday, January 8, 1967.

Songs and Dances of Death for Voice [by] Modeste Mussorgsky : for Voice and Wind Ensemble

Showers, David Pherson (1967-09)

Prelude and Variations

Ganoung, Thomas Robert (1968)

Many Moons by Celius Dougherty : a Production Directed by William Johnston

Johnston, William James (1968)

'Many Moons,' a one act opera by Celius Dougherty, is remarkable in that it combines musical and theatrical elements with a finesse which is often lacking in many major operatic works. This thesis describes a production ...

How to Become a Piano Teacher in 22,176 Easy Lessons

Day, Nancy Jean (1969)

A note of explanation is necessary concerning the title of this paper. It is my premise that one cannot begin to consider oneself a piano teacher, unless and until one i8 involved in the process. When a teacher has given ...

THE RESEARCH AND PERFORMANCE OF CLAUDIO MONTEVERDI'S VESPERO DELLA BEATA VIRGINE (1610)

Byrens, Dana (1970)

In this research the author describes Monteverdi's biographical background, the revolutionary nature of the Vespers and its history in Monteverdi's evolution, the instruments of the Magnificat, the notational practices, ...

The Research and Performance of Claudio Monteverdi's "Vespero Della Beata Virgine" (1610)

Campbell, Dana (1970)

Discusses the historical context, instrumentation, notational issues, and performance problems related to a presentation of the work.

Using Music, Dance, and Theater in Gestalt Therapy : a Practitioner's Report

St. Clair, Judy (1973)

What is Gestalt therapy and how can it be combined with music, theater, and dance for personal growth? I will answer this question by describing selected exercises which combine these arts and Gestalt ideas, relating my ...

The Grand Illusion: Opers; Its Form and Musico-Theatrical Conventions and Their Relationship with Examples from Three Faustion Operas

House, Michael (1974)

The central thrust of my study has been to understand how music serves the theatrical event. In doing so I have been able to expand my opinion of theatre. I have learned to appreciate Theodore Shank's study The Art of ...