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dc.contributor.authorCaranna, Angel
dc.date.accessioned2018-03-03T14:54:23Z
dc.date.available2018-03-03T14:54:23Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/10920/32812
dc.descriptioniii, 54 p.en_US
dc.description.abstractAs much as disco intrigued and excited its straight listeners, significant tensions existed between straight and queer participants, as well as between white and nonwhite attendees. Though the political upheaval of the 1960s created a cultural climate that allowed for popularizing a queer genre, the idealism of disco as an inclusive genre was an illusion. The discord between different racial and sexual groups that took part in the so-called 'inclusive' genre ultimately killed the genres popularity by the 1980s. As such, the questions about disco’s life and death are: What caused disco's quick rise in popularity? How did disco change as the genre became more mainstream? What pre-existing tensions became embroiled in disco culture as the genre became more popular? How did these tensions contribute to disco's downfall after its short-lived success? The author argues that the rise and fall of disco music and culture reflected the uncertainties and tensions Americans felt toward sexuality and gender during the 1970s. At this time, Americans dealt with a shifting cultural landscape due to the aftereffects of the sixties counterculture movements. As a genre created by marginalized groups that increased in public visibility during the 1970s, disco was inherently defined by these changes. The author examines disco trends, songs, media, attendees, and performers with a gendered analysis. In doing so, the author examines how seventies disco changed and reinforced definitions of masculinity and femininity for queer and straight men and women.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College Economics and Business Senior Individualized Projects Collection
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder.
dc.title'Love is the Message" : Sexuality and Social Change in the Disco Eraen_US
dc.typeThesisen_US
KCollege.Access.ContactIf you are not a current Kalamazoo College student, faculty, or staff member, email dspace@kzoo.edu to request access to this thesis.


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  • History Senior Individualized Projects [627]
    This collection includes Senior Individualized Projects (SIP's) completed in the History Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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