dc.contributor.author | Carpenter, Ray | |
dc.date.accessioned | 2017-01-18T19:22:09Z | |
dc.date.available | 2017-01-18T19:22:09Z | |
dc.date.issued | 2016 | |
dc.identifier.uri | http://hdl.handle.net/10920/30582 | |
dc.description | 1 broadside. Original designed using Microsoft PowerPoint. 48"W x 36"H | en_US |
dc.description.abstract | Academic scholarship on the Grateful Dead and the Deadheads has been powerful, interdisciplinary, and surprisingly prolific. Equally surprising, however, is the almost complete absence of historical analysis through the lens of material culture. In this paper, I hope to show how by working to understand this colorful, eye-catching material culture, we can better understand the ways Deadheads produced and reproduced their Deadhead identity within a specific historical context. | en_US |
dc.description.sponsorship | Kalamazoo College. Department of Anthropology and Sociology and Human Development and Social Relations (HDSR). Hightower Symposium, 2016. | en_US |
dc.format.mimetype | application/pdf | |
dc.language.iso | en_US | en_US |
dc.publisher | Kalamazoo, Mich. : Kalamazoo College | en_US |
dc.relation.ispartof | Kalamazoo College Hightower Symposium Presentations Collection | en |
dc.rights | U.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. | en |
dc.title | On the Bus, Off the Bus: Material Culture and Deadhead Identity | en_US |
dc.type | Presentation | en_US |