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dc.contributor.authorCarpenter, Ray
dc.date.accessioned2017-01-18T19:22:09Z
dc.date.available2017-01-18T19:22:09Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10920/30582
dc.description1 broadside. Original designed using Microsoft PowerPoint. 48"W x 36"Hen_US
dc.description.abstractAcademic scholarship on the Grateful Dead and the Deadheads has been powerful, interdisciplinary, and surprisingly prolific. Equally surprising, however, is the almost complete absence of historical analysis through the lens of material culture. In this paper, I hope to show how by working to understand this colorful, eye-catching material culture, we can better understand the ways Deadheads produced and reproduced their Deadhead identity within a specific historical context.en_US
dc.description.sponsorshipKalamazoo College. Department of Anthropology and Sociology and Human Development and Social Relations (HDSR). Hightower Symposium, 2016.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.publisherKalamazoo, Mich. : Kalamazoo Collegeen_US
dc.relation.ispartofKalamazoo College Hightower Symposium Presentations Collectionen
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder.en
dc.titleOn the Bus, Off the Bus: Material Culture and Deadhead Identityen_US
dc.typePresentationen_US


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  • Hightower Symposium Posters [173]
    Sociology/Anthropology and Human Development & Social Relations (HDSR) students formally present their SIPs at the Hightower Symposium in senior spring. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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