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dc.contributor.advisorSantone, Jessica
dc.contributor.authorMcMeans, Tanj
dc.date.accessioned2014-09-20T14:31:14Z
dc.date.available2014-09-20T14:31:14Z
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/10920/29371
dc.descriptionvi, 45 p.en_US
dc.description.abstractThe author explores how race, identity and representation were factors in specific works of art by two African-American women artists working in the 1980s and 90s, Carrie Mae Weems and Lorna Simpson. She observe how both artists chose to use black and white photography as a language through which to criticize racial oppression and subjugation of black women and also analyze critical texts dealing with observing the differences between blackness and whiteness in racial politics.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College Art Senior Individualized Projects Collection
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.titleIn Shades of Black and White : A Critical Analysis of Selected Works by Lorna Simpson and Carrie Mae Weemsen_US
dc.typeThesisen_US
KCollege.Access.ContactIf you are not a current Kalamazoo College student, faculty, or staff member, email dspace@kzoo.edu to request access to this thesis.


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  • Art and Art History Senior Individualized Projects [374]
    This collection includes Senior Individualized Projects (SIP's) completed in the Art and Art History Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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