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dc.contributor.advisorBarclay, David E., 1948-
dc.contributor.authorRoby, Steven
dc.date.accessioned2012-01-14T21:07:36Z
dc.date.available2012-01-14T21:07:36Z
dc.date.issued1980
dc.identifier.urihttp://hdl.handle.net/10920/24557
dc.description65 p.en_US
dc.description.abstractThe author traces the evolution of German art and culture at the beginning of the Twentieth Century and the inevitable clash of Expressionism with National Socialism. Most Expressionists sought an art which conformed to internal needs, hardly able to conform to specific biological or historical normative demands. Also, in Twentieth Century art, there developed a spirit of internationalism akin to the artistic expression of the Middle Ages or Baroque period, a spirit quite evident in the universalist philosophy of Expressionist art. This spirit of internationalism in Expressionist art contradicted the obsessive nationalism in Germany. More importantly, Expressionism could never be made an instrument of nationalist political ideology. It was a movement founded upon the free-flowing nature of the artist's "inner-being," hardly manipulatable, unlike the rational, mechanical Futurist movement in fascist Italy. Similar to the dictum on art in the USSR during the last fifty years, the National Socialists demanded that art be generally understood, and that this standard would determine the quality. After 1921, often great art is not immediately recognized or understood. The National Socialists, thus, found little value in art which deviated from the forms found. Finally the requirement that art be immediately comprehensible underscored another primary concern of the National. Socialists: art must illustrate an idea or moral and be beautiful.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College History Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. History.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.titleArt and German Society, 1900-1930 : The Expressionist Styleen_US
dc.typeThesisen_US
KCollege.Access.ContactIf you are not a current Kalamazoo College student, faculty, or staff member, email dspace@kzoo.edu to request access to this thesis.


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  • History Senior Individualized Projects [642]
    This collection includes Senior Individualized Projects (SIP's) completed in the History Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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