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dc.contributor.advisorBoyer Lewis, Charlene M., 1965-
dc.contributor.authorZak, Michael
dc.date.accessioned2011-11-18T18:26:10Z
dc.date.available2011-11-18T18:26:10Z
dc.date.issued2009
dc.identifier.urihttp://hdl.handle.net/10920/24085
dc.descriptioniii, 67 p.en_US
dc.description.abstractI became interested in gender history last year, during my junior spring quarter. I chose this topic in particular, an analysis of the gender constructions in French and American New Wave Cinema, for a few reasons, the foremost being that I wanted to analyze cultural staples in a way that they had not truly been done yet. Historiographically, I have found very few studies pertaining to American film and gender roles in the 1960s and even less of French film. Thus, I decided to set out to explore this topic. Being an enthusiast of cinema in general, I have found this topic to be not only enjoyable, but an entertaining experience.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College History Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. History.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.titleConstructing the New Wave: Gender Constructions in New Wave and New Hollywood Cinema, 1959-1970en_US
dc.typeThesisen_US
KCollege.Access.ContactIf you are not a current Kalamazoo College student, faculty, or staff member, email dspace@kzoo.edu to request access to this thesis.


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  • History Senior Individualized Projects [642]
    This collection includes Senior Individualized Projects (SIP's) completed in the History Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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