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dc.contributor.advisorFrost, Dennis J., 1976-
dc.contributor.authorHendershot, Alissa
dc.date.accessioned2011-11-15T16:33:11Z
dc.date.available2011-11-15T16:33:11Z
dc.date.issued2007
dc.identifier.urihttp://hdl.handle.net/10920/24011
dc.descriptioniv, 54 p.en_US
dc.description.abstractDespite frequent official closures of the country, the music of Japan did not develop in isolation from the rest of the world. Many of the concepts held central to composing, performing, and teaching were imported along with Buddhism, from or through China and Korea, beginning around the fifth and sixth centuries. Japan was a fragmented land for much of its history, ruled over by a large variety of small lords who each controlled as much area as they could defend successfully. The rulers of Japan had realized around the 7th century that they had no real writing system, which made running the country a little difficult, and so began importing foreign scholars at a rapid rate to assist with fixing the problem. These scholars, who were mainly from China, did not just bring their knowledge of writing, but many other parts of Tang~ culture as well. Religion, music, philosophy, science, and many other ideas were all fair game for importation. These ideas arrived at the imperial courts first, and eventually trickled down to the commoners over time, changing as they did so to fit their new surroundings. The material goods which were brought in often stayed in the hands of the aristocrats, with only the knowledge of how to make more and how to use them passing. on to everyone. It is actually because of this convenient fact that there remain examples of many musical instruments which were made in China and given to the emperors of Japan throughout the centuries.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College History Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. History.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.titleThe Evolution of Japanese Music: From Chinese and Western to Traditional Japaneseen_US
dc.typeThesisen_US
KCollege.Access.ContactIf you are not a current Kalamazoo College student, faculty, or staff member, email dspace@kzoo.edu to request access to this thesis.


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  • History Senior Individualized Projects [642]
    This collection includes Senior Individualized Projects (SIP's) completed in the History Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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