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dc.contributor.advisorHaeckl, Anne E., 1951-
dc.contributor.authorKickham, Maureen
dc.date.accessioned2011-05-20T15:34:25Z
dc.date.available2011-05-20T15:34:25Z
dc.date.issued2003
dc.identifier.urihttp://hdl.handle.net/10920/21931
dc.descriptioniii, 53 p.en_US
dc.description.abstractIn the following comments I will interpret the images of violence in the House of the Vettii by applying to Roman domestic decoration one of the approaches used in Frederick's collection, the feminist film theory of Laura Mulvey. In her seminal essay written in 1975, "Visual Pleasure and Dominant Narrative Cinema" Mulvey uses Freudian psychoanalysis as a "political weapon" and demonstrates how dominant narrative cinema, or the familiar Hollywood film, is an "exact rendering of the frustration experienced under the phallocentric order." The woman is nothing in her own right; only the alternative to maleness. She matters only as much as she provokes action in the male characters. Mulvey clearly has a political agenda. She hopes that by identifying this "unconscious of the patriarchal society," it will begin to erode and eventually break down altogether.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.publisherKalamazoo, Mich. : Kalamazoo Collegeen_US
dc.relation.ispartofKalamazoo College Classics Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. Classics;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.titleIf Looks Could Kill: Modern Gaze Theory and the House of the Vettii at Pompeiien_US
dc.typeThesisen_US


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  • Classics Senior Individualized Projects [83]
    This collection includes Senior Individualized Projects (SIP's) completed in the Classics Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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