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dc.contributor.advisorReiter, Lora K.
dc.contributor.authorFlaccus, Laurence Kimball
dc.date.accessioned2011-05-07T21:42:17Z
dc.date.available2011-05-07T21:42:17Z
dc.date.issued1967
dc.identifier.urihttp://hdl.handle.net/10920/21632
dc.description69 p.en_US
dc.description.abstractAccording to the author, the themes which Eliot posits in his dramatic literature originate in his later poetry, especially the Four Quartets. Eliot proposes a universe in which exists two basic divisions of reality -- the secular or neutral reality and the spiritual or religious reality. In each play these two divisions are in conflict, as represented through the struggle and agony of each dramatic protagonist. The author discusses Eliot's dramatic theory and then analyzes the themes in Sweeney Agonistes, Murder in the Cathedral, and The Family Reunion.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College English Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. English.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.titleReality in the Dramatic Works of T. S. Elioten_US
dc.typeThesisen_US


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  • English Senior Integrated Projects [1042]
    This collection includes Senior Integrated Projects (SIP's) completed in the English Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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