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dc.contributor.advisorTraister, Barbara Howard
dc.contributor.authorBrown, Barry
dc.date.accessioned2011-04-30T21:10:17Z
dc.date.available2011-04-30T21:10:17Z
dc.date.issued1973
dc.identifier.urihttp://hdl.handle.net/10920/21521
dc.description104 p.en_US
dc.description.abstractThe author cites three main sources of influence: the theory of fictions Stevens appropriated from Santayana and from Vaihinger; the relational aesthetics of John Dewey and William James, which served as a link between the poet's aims and the various general aesthetic advances made by the early modern painters; and the cosmology of Alfred North Whitehead, which underlay his "naturalistic system," his formulations for the relations of soul and body, man and world, and the numerous expressions for what he considered the "valid purpose” of poetry to be, to give a sense of the freshness or vividness of life.en_US
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College English Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. English.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder. All rights reserved.
dc.titleThe Philosophic Background to Wallace Stevens' Early Poetryen_US
dc.typeThesisen_US


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  • English Senior Individualized Projects [987]
    This collection includes Senior Individualized Projects (SIP's) completed in the English Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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