HORNET HIVE
ATHLETICS
SITEMAP
WEBMAIL
Search
Now showing items 1-10 of 67
-
Building Bridges: Character Research and Acting Internship in Vampyr: The blood is the Life
(Kalamazoo, Mich. : Kalamazoo College, 1994)My initial challenge was to connect with a character I found very foreign and outside of myself. As an actor, one is asked to play many roles that are opposing to one's personality or nature, yet there are a few special ... -
Tusk, Tusk : The Transformation of a White Elephant into a Mammoth Maxim (The Documentation of an Internship in Stage Management)
(1985)The author describes her experience stepping in as stage manager for an original play in a small theater in Pasadena, California. -
The Driving Force Behind Theater : an Examination of Three Facets of Professional Theater : The Theater, Theatrical Companies, and the Freelance Designer
(1996)The author interned with freelance lighting and stage designer Steven R. Espach, working on three shows for two non-for-profit theater companies on Long Island, New York. -
Theatre as a Tool in Adolescent Development : The Effects of a Four-Week Intensive Theatre
(2000)The author spent a summer teaching theater for the Yoknapatawpha Youth Art's Program in Oxford, Mississippi. According to the author, the goal of the program is not to teach life skills such as self-esteem, responsibility, ... -
Pursuing Dreams : On the Stage and Beyond
(1992)The author describes a difficult summer interning at the Red Barn Theater in Saugatuck, Michigan. -
Casting Call Open to All (excluding minorities)
(2001)The author describes her experience interning with the Claire Simon Casting agency in Chicago. According to the author, no matter how hard you market yourself as an actor you have to be and look like what they want, and ... -
Theory into Practice : The Director's Role in Implementing Diversity at the Horizon Theatre Company
(1997)The author describes her work as a directing intern with the Horizon Theater Company in Atlanta, Georgia, working on the play The Joy of Going Somewhere Definite, focusing on three areas of production where the director ... -
Innovative Dramatic Education Techniques : Description and Involvement in the Educational Process
(1991)The author describes her teaching experience at Stone Environmental School in Groton, Connecticut, and the skits, games, and in particular the use of Dr. Seuss' The Lorax to teach environmental concepts. -
Breaking into Chicago's Commercial Casting Community : The Basics for Success in Chicago's Professional Theatre, Film, and Television Industry
(1996)The author interned with O'Connor Casting in Chicago, managing auditions for a film project called Night and the Running Boys, and advertising jobs for clients ranging Starbucks to Kentucky Fried Chicken. -
It Works! It Doesn't Work : Costuming at the Seattle Repertory Theatre
(1994)The author describes her internship in the costume shop of the Seattle Repertory Theatre and specific pieces she created for productions of the plays Silence, Cunning, Exile and A Flaw in the Ointment.
