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Building Bridges: Character Research and Acting Internship in Vampyr: The blood is the Life
(Kalamazoo, Mich. : Kalamazoo College, 1994)
My initial challenge was to connect with a character I
found very foreign and outside of myself. As an actor, one is
asked to play many roles that are opposing to one's
personality or nature, yet there are a few special ...
The Art of the Business: Perceptions of a Novice Agent in the Chicago Talent Market
(1990)
Nouvelle is a three-year-old, full-service talent agency with departments
in both the Chicago and New York offices submitting talent (a generic industry
term referring to professional actors, models, trade show host/ ...
Professional Theatre: An Equal Opportunity Employer? A Study of Non-Traditional Casting
(1993)
I had the extreme pleasure of working this past quarter at
one of the most beautiful and renowned theatres in Ohio, as well
as in the country-- The Cleveland Play House. Accepting the
internship as Assistant to the ...
Growing Pains: Becoming Queerer
(2001)
During my three months at About Face, I wanted to discover what it truly
means for me to be a queer theatre artist, what it means to others, and what it means to
be a queer theatre today. I had discussions with many of ...
"If It is Written on High . . .": Observations and Analysis of the Directing Process for Jaques and His Master at The Magic Theater
(1990)
The goal of my Senior Independent Project at the Magic
Theater was to broaden my practical experience of directors and
directing through the observation of a director at work and
participation in a professional production. ...
Therapeutic Values of Drama
(1991)
In the summer of 1990, I searched for a children's
drama therapy program hoping to be able to observe and
evaluate its effectiveness. In December, through the GLCA
New York Arts Program, I was given an opportunity to ...
Interning at The Manhattan Theatre Club
(1978)
One of the indirect purposes of a theatre S.I.P.
is to guide Kalamazoo College theatre majors in their
search for an S .I .P. Since a large number of theatre
majors choose to do internships at institutional theatres
it ...
"Life Outside": or The Power of Positive Environment on Achieving Self-Concept Modification
(1978)
My internship in Stamford taught me what a self-concept
is and how important it is (especially working ±n a
theatre). My self-concept coming out of Kalamazoo was pretty low. What helped me in my S.I.P. was that I was ...
Theatre Unique: The Boston Repertory Theatre, Inc. and Its Cooperative Organizational Structure
(1975)
While working as an apprentice at the Boston Repertory Theatre from January 4,1975 to March 20,1975 I gathered the following information by means or personal interviews
and research of the Rep's previously printed publicity ...
