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dc.contributor.advisorTung, Leslie, 1951-
dc.contributor.authorMollers, Gretchen
dc.date.accessioned2010-01-30T22:02:55Z
dc.date.available2010-01-30T22:02:55Z
dc.date.issued1999
dc.identifier.urihttp://hdl.handle.net/10920/12383
dc.descriptioni, 30 p.
dc.description.abstractIn this paper, I argue that composers wrote the parts for women with a specific intent in mind, so that a listener/viewer wouldn't take the role at face value but would instead "read into" the role. In most instances, composers wrote trouser roles as examples of human emotions that surpass the boundaries of gender; in other words, the most enduring qualities of humans know no sex (Duncan 12).
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.relation.ispartofKalamazoo College Music Senior Individualized Projects Collection
dc.relation.ispartofseriesSenior Individualized Projects. Music.;
dc.rightsU.S. copyright laws protect this material. Commercial use or distribution of this material is not permitted without prior written permission of the copyright holder.
dc.titleTranscending Gender : Mezzo-Soprano Trouser Roles in Operaen_US
dc.typeThesisen_US


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  • Music Senior Individualized Projects [75]
    This collection includes Senior Individualized Projects (SIP's) completed in the Music Department. Abstracts are generally available to the public, but PDF files are available only to current Kalamazoo College students, faculty, and staff.

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